Paint Blending Modes

Add

Adds the values of the colors in the paint buffer to the values on the layer's surface.

Add Normal Maps

Blends two RGB-encoded vector layers with the Add input by converting the raw values from the 0.0 to +1.0 colorspace-encoded range to the -1.0 to +1.0 vector range, applying the blend factor to the Over input, adding the values, then normalizing the values before converting it back to the 0.0 to +1.0 colorspace-encoded range.

Burn Highlights

Burns the layer based on the highlights in the paint buffer.

Burn Midrange

Burns the layer based on the middle range (that is, not the lightest or darkest pixels) of the paint buffer.

Burn Shadows

Burns the layer based on the contents of the paint buffer, with darker pixels being burned harder.

Clear

Subtracts the opacity of the paint stroke from the current surface. For example, an 80% opaque stroke leaves a surface with 20% opacity.

Color

Takes the luminance of the layer, and the color and saturation of the paint buffer.

Color Burn

Burns the layer, using the contents of the paint buffer as input for the burn operation.

Color Dodge

Dodges the layer surface, using the contents of the paint buffer to control the degree of dodging.

Contrast

The destination color moves away from the painted color by contrasting around the painted color. How much it contrasts depends on the alpha.

Darken

Gives each pixel the darker of two possible values: the current layer surface or the contents of the paint buffer (whichever is darker).

Decontrast

The destination color moves towards the painted color by decontrasting around the painted color. How much is decontrasts depends on the alpha.

Difference

Inverts the colors. Mari subtracts the values in the paint buffer from those on the layer surface.

Dodge Highlights

Dodges the layer based on the highlights in the paint buffer.

Dodge Midrange

Dodges the layer based on the middle range (that is, not the lightest or darkest pixels) of the paint buffer.

Dodge Shadows

Dodges the layer based on the contents of the paint buffer, with darker pixels being dodged harder.

Exclusion

Inverts the colors, but with a lowered contrast.

Hard Light

Mimics a harsh spotlight. Makes light areas lighter (using a screen effect), and dark areas darker (using a multiply effect).

Hard Mix

First performs a vivid blend, then thresholds the colors to their extreme values. The result is that the pixels can be one of eight colors - black, white, red, green, blue, cyan, magenta, or yellow.

Hue

Takes the luminance and saturation from the layer pixels, with the hue from the paint buffer.

Inverse Difference

Subtracts the colors in the paint buffer from the layer surface, and then inverts the result.

Invert

Uses the paint buffer as the input to invert the pixels on the base layer.

Lighten

Gives each pixel the lighter of two possible values: the current layer surface or the contents of the paint buffer (whichever is lighter).

Luminance

Takes the hue and saturation of the layer color, and the luminance of the paint buffer. (This is the opposite of the Color blend mode.)

Mix Normal Maps

Blends two RGB-encoded vector layers with the Mix input by converting the raw values from the 0.0 to +1.0 colorspace-encoded range to the -1.0 to +1.0 vector range, applying the blend factor to the Over input, adding the values, then normalizing the values before converting the value back to the 0.0 to +1.0 colorspace-encoded range.

Multiply

Darkens the color. Mari multiplies the layer color by the color in the paint buffer.

Normal

Replace values on the layer's surface with those from the paint buffer. (Mari's default mode.)

Nudge Flow Vectors

Changes the paint buffer to tangent vector space. Keeps the vectors flat to the object’s surface in 2D space. The Nudge Flow Vectors mode adds the vectors together to get the blend result, and is best for use with flow maps.

Nudge Normal Vectors

Changes the paint buffer to tangent vector space. Allows the z value to face outward in 3D space, so that vectors face out from the object’s surface anywhere on the model. The Nudge Normal Vectors mode adds the vectors together to get the blend result, and is best for use with normal maps.

Overlay

Uses the patterns and colors from the paint buffer, but keeps the highlights and shadows from the layer.

Adjustment stacks always use an overlay blend mode.

Paint Flow Vectors

Changes the paint buffer to tangent vector space. Keeps the vectors flat to the object’s surface in 2D space. Unlike Nudge Flow Vectors, the Paint Flow Vectors mode blends between the vectors instead of adding them. This mode is best for use with flow maps.

Paint Normal Vectors

Changes the paint buffer to tangent vector space. Allows the z value to face outward in 3D space, so that vectors can face out from the object’s surface anywhere on the object. Unlike Nudge Normal Vectors, the Paint Normal Vectors mode blends between the vectors instead of adding them. This mode is best for use with normal maps.

Pin Light

For light areas in the paint buffer, replaces pixels on the layer's surface that are darker than the corresponding pixels in the paint buffer.

For dark areas in the paint buffer, replaces pixels on the layer's surface that are lighter than the corresponding pixels in the paint buffer.

(Otherwise, leaves the layer surface unchanged.)

Saturation

Takes the luminance and hue of the layer color, with the saturation from the paint buffer.

Scale Vectors

This is most useful with the basic Paint tool, while preferably using grayscale paint. Scale Vectors uses the intensity of color to control the length of the normal in 3D space.

Screen

Lightens the image. Mari divides the color on the surface of the layer by the value of the paint. (This is the opposite of Multiply.)

Soft Light

In dark areas on the layer, burns the paint buffer onto the layer surface. In lighter areas, dodges it on.

Sponge Desaturate

Uses the paint buffer as the input to desaturate the pixels on the base layer.