Sets the file path and name of the file to read. For frame numbers, you can use #### for each digit or the printf-style formatting %04d.

Sets the local file caching behavior. Copies of the files are stored in a specified local folder for faster access times:

• on - the files are cached, regardless of location, as long as the limit to (GB) limit is not breached.

• from auto-localize path - the files are cached if they reside in the auto-localize from directory, as long as the limit to (GB) limit is not breached.

• on demand - only localize these source clips when you manually update them. See Localizing Files for Better Performance for more information.

• off - the files are never cached, regardless of location.

When this Read node is set to Localization Policy > on demand, click Update to manually localize the files from the source files.

Sets the format and pixel aspect ratio of the file's output. Metadata from the file header is used to determine the format, where available. You can create custom formats by clicking the Format dropdown and selecting new or edit to enter the required dimensions and pixel aspect ratio.

Sets the file path and name of a relevant proxy image. This proxy image is used if proxy mode is on and the required resolution is less than or equal to the proxy format.

The file specified in proxy is read if the down-rez of the format is smaller or equal to this value. Typically it is guessed correctly from the file header, but you can change it to set a different pixel aspect ratio if required.

The first frame number of a sequence to display.

Sets the behavior of frames before the first frame specified:

• hold - select to show a still picture of the first frame of the frame range.

• loop - select to start over and keep looping the span of the frame range outside the first frame of the frame range.

• bounce - select to play the span of the frame range backwards and forwards between the frame range limits.

• black - select to display a black frame outside of the first frame.

The last frame number of a sequence to display.

Sets the behavior of frames after the last frame specified:

• hold - select to show a still picture of the last frame of the frame range.

• loop - select to start over and keep looping the span of the frame range outside the last frame of the frame range.

• bounce - select to play the span of the frame range backwards and forwards between the frame range limits.

• black - select to display a black frame outside of the last frame.

Sets the frame mode:

• expression - Lets you enter an expression in the field on the right. The expression changes the relation between the current frame and the frame read in. For example, if your clip begins from image.0500.rgb and you want to place this first frame at frame 1 rather than frame 500, you can use the expression frame+499. This way, 499 frames are added to the current frame to get the number of the frame that’s read in. At frame 1, image.0500.rgb is read in; at frame 2, image.0501.rgb is read in; and so on. Another example of an expression is frame*2. This expression multiplies the current frame by two to get the number of the frame that’s read in. This way, only every other frame in the clip is used. At frame 1, image.0002.rgb is read in; at frame 2, image.0004.rgb is read in; at frame 3, image.0006.rgb is read in; and so on.

• startat - Lets you enter a start frame number in the field on the right. This specifies the frame where the first frame in the sequence is read in. In other words, all frames are offset so that the clip starts at the specified frame. For example, if your sequence begins from image.0500.rgb and you enter 1 in the field, image0500.rgb is read in at frame 1. Similarly, if you enter 100 in the field, image0500.rgb is read in at frame 100.

• offset - Lets you enter a constant offset in the field on the right. This constant value is added to the current frame to get the number of the frame that’s read in. For example, if your clip begins from image.0500.rgb and you want to place this first frame at frame 1 rather than frame 500, you can use 499 as the constant offset. This way, 499 is added to the current frame to get the frame that’s read in. At frame 1, image.0500.rgb is read in; at frame 2, image.0501 is read in, and so on. You can also use negative values as the constant offset. For example, if you use the value -10, Nuke will subtract ten from the current frame to get the frame that’s read in. At frame 20, image.0010.rgb is read in; at frame 21, image.0011.rgb is read in; and so on.

Depending on the frame mode, you can enter a start frame, an offset, or an expression here.

Displays the original first frame.

Displays the original last frame.

Sets Nuke’s behavior when there is a problem with frames in the file:

• error - display an error in the Viewer.

• black - replace suspect frames with a black frame.

• checkerboard - replace suspect frames with a checkerboard.

• nearestframe - replace suspect frames with the nearest good frame.

Click to re-read the image from disk.

Sets the color transform used to convert this file to Nuke's working space.

The working space is defined in the Preferences or Project Settings > Color Management settings.

The default determines the LUT from the size and type of data in the file, and other information from the file header.

Note:  The control label has been updated, but the knob name currently remains the same. The knob name will also change in a future release.

When enabled, Nuke corrects the color of the partially transparent pixels produced by most renderers by dividing color data by the alpha channel before converting from the colorspace, and then multiplying by the alpha channel afterwards.

When enabled, Nuke does not convert the data.

For most file formats this is the same as linear colorspace but, for some, it may disable other processing such as conversion from YUV.

When enabled, if the Read produces RGB but no alpha channel, then assume the alpha should be 1 if it's requested later on.

Context

OCIO Contexts allow you to apply specific LUTs to individual shots.

See Changing the Viewer Color Space for more information.

Click to display a browser to locate an import sequence script which builds a frame sequence list from the contents of an EDL file.

These are not standard EDL files, such as CMX. Each line in the file simply defines a separate image sequence to import in the form:

imagesequence.%04d.ext in out head tail

Where in and out are the start/end frame numbers of the clip and head/tail are the number of frames to trim from the start and end.

Each sequence in the list is expanded into the sequence control so that each line contains the name of the file to read for that frame:

line 1 = frame 1, line 10 = frame 10.

Finally, the script replaces the Read > file text with:

[lindex [knob sequence] [frame]]

This looks up the file name from the sequence control and sets the first frame to 1 through to the last frame in the expanded list.

Most easily used in conjunction with the import sequence button. Each line contains the name of the file to read for that frame:

line 1 = frame 1, line 10 = frame 10.

Set the Read > file control to [lindex [knob sequence] [frame]] to look up the file name from this control. This allows you to use a single Read to access multiple sequences of files where the naming does not follow any set numeric sequence, rather than using multiple Read nodes with a single file sequence per Read.

Displays the metadata of any file read in using a Read node. Once you know which keys exist in the file, you can reference them in expressions.

The metadata displayed depends on the file type. For example, a .jpg might only contain input/ keys, whereas QuickTimes contain input/ and quicktime/ keys.

Click to reset the ARI Options to those from the file metadata.

Displays the GPU used for rendering when Use GPU if available is enabled. Local GPU displays Not available when:

• Use CPU is selected as the default blink device in the Preferences.

• no suitable GPU was found on your system.

• it was not possible to create a context for processing on the selected GPU, such as when there is not enough free memory available on the GPU.

You can select a different GPU, if available, by navigating to the Preferences and selecting an alternative from the default blink device dropdown.

Note:   Selecting a different GPU requires you to restart Nuke before the change takes effect.

When enabled, rendering occurs on the Local GPU specified, if available, rather than the CPU.

Note:  Enabling this option with no local GPU allows the script to run on the GPU whenever the script is opened on a machine that does have a GPU available.
You should also select this if you wish to render from the command line with the --gpu option.

See Nuke 15 Release Notes for more information on the GPUs Nuke supports.

Clip Settings

Sets the colorspace used to convert from raw data into the Viewer colorspace.

Sets the overall sensitivity of pixels from the raw image.

Controls the relative RGB coolness and warmth. Higher values increase the warmth.

Adjusts the level of tints to compliment the White Balance control.

Sets the amount of anamorphic lens squeeze applied to the image.

When enabled, unsqueezes the raw file while converting it to the Viewer colorspace.

Note:  This control is generally not required because the file metadata sets the pixel aspect ratio automatically.

Processing

Sets the debayering mode applied to reads. If Proxy Playback is enabled, the debayer is ignored.

Fine-tunes the ADA 5 debayering in the red, green, and blue channels.

Sets the output aspect ratio independent of the pixel aspect ratio.

Set the resolution and aspect ratio that the clip is scaled to, cropping the image if required.

Adjusts the sharpness of the image by introducing contrast at edges.

Adjusts the amount of detail by affecting fine structures.

Note:  The Detail control can introduce aliasing at higher values.

Look Editor

When enabled, the Look Editor settings can be used to modify the image.

Note:  The Look Editor settings cannot be enabled when the Colorspace control is set to LogC or Scene Linear. Only Video color spaces use Look Editor settings.

Increases or decreases the overall saturation of the image.

Adjusts overall the Slope, Offset, and Power.

Displays the GPU used for rendering when Use GPU if available is enabled. Local GPU displays Not available when:

• Use CPU is selected as the default blink device in the Preferences.

• no suitable GPU was found on your system.

• it was not possible to create a context for processing on the selected GPU, such as when there is not enough free memory available on the GPU.

You can select a different GPU, if available, by navigating to the Preferences and selecting an alternative from the default blink device dropdown.

Note:   Selecting a different GPU requires you to restart Nuke before the change takes effect.

When enabled, rendering occurs on the Local GPU specified, if available, rather than the CPU.

Note:  Enabling this option with no local GPU allows the script to run on the GPU whenever the script is opened on a machine that does have a GPU available.
You should also select this if you wish to render from the command line with the --gpu option.

See Nuke 15 Release Notes for more information on the GPUs Nuke supports.

Sets the output resolution decoded from the source file. Higher quality takes longer to decode.

Sets how the file is decoded, either using the file's encoded Camera Metadata or Clip Custom, which enables the Blackmagic Design Custom controls allowing you to make changes to the output in the Viewer.

Click to overwrite any changes to controls in the Properties panel with the camera metadata stored in the file.

Any changes made to the Properties are discarded. If you want to compare your edits to the camera metadata, set Decode Using to Camera Metadata instead. That way you can toggle between your look and the original camera metadata.

Click to overwrite an existing .sidecar file with the settings currently in the Properties panel.

A .sidecar file contains artistic changes to the look of a .braw file, separate from the camera metadata stored in the .braw file. Sidecar files must reside in the same directory as the associated .braw file.

If no .sidecar file exists in the same directory as the .braw file, Nuke creates one with the settings currently in the Properties panel. Clicking Update sidecar again overwrites the new file.

Sets the Blackmagic color science generation applied to the clip. Only the latest color science, Gen5, is currently supported. Later generations are scheduled for future releases.

Select the color gamut of the decoded image in the Viewer.

Select a gamma preset to use on the decoded image. Selecting Blackmagic Design Custom enables the controls under the Blackmagic Design Custom section below.

Increases or decreases the overall saturation and contrast of the image.

Increases or decreases the midtones, highlights, and shadows of the image.

Sets the black and white levels in the image, the level of brightness at the darkest and lightest areas in the image, which affects the dynamic range of the image.

When enabled, darken blacks to replicate video black levels.

Sets the overall sensitivity of pixels from the raw image and can be used to control exposure.

Note:  Higher ISO values can push color values above one and increase noise in some cases.

Adjusts the exposure applied to the decoded image.

When enabled, areas of highlight are 'declipped' by cross-referencing other channel values to recover image data.

When enabled, the selected Colorspace gamut values are remapped to fit the available color value range on the output device.

Note:  Gamut Compression is only applicable if Use GPU if available is enabled.

When enabled, embedded LUTs in the metadata or separate .sidecar file are applied to the image. Use the LUT Source control to select the source of the LUT.

When Apply LUT is enabled, select the source of the embedded LUT:

• Disabled - no LUT is applied. This option is equivalent to disabling Apply LUT.

• Embedded - the LUT embedded in the file metadata is applied. If no embedded LUT exists, this option is not displayed.

• Sidecar - the LUT embedded in the associated .sidecar file is applied. If no embedded LUT exists in the .sidecar, this option is not displayed.

Allows you to select a preset white balance from the dropdown, such as Cloudy or Flash simulation, or choose Custom to adjust the White Balance (K) and Tint manually.

The default, As Shot, uses the White Balance (K) and Tint values from the file metadata or .sidecar.

Adjusts the color temperature in Kelvin, which affects blues and reds in the image.

Sets the colorspace used during debayering. The standard Read node colorspace control is changed to match this setting automatically.

Note:  To view the data before debayering, enable the raw data control.

When enabled, overrides the specified color space transfer function to force it to use linear.

For some cases, such as sRGB, this results in slightly faster read times and sets the colorspace on the Read to linear as well.

As a result of forcing linear, all render settings are applied in linear space, rather than the native space, so there may be differences in how the controls respond.

Applies preset values to the temperature and tint controls, depending on the setting chosen:

• As Shot - attempts to read the temperature and tint values from the source file's metadata.

• Daylight to Flash - standard presets in common usage.

• Custom - adjusting the temperature and tint controls manually sets white balance to this value.

Defines the temperature, in Kelvin, and tint of the image white point:

• temperature - in general, runs from blues at low values to yellows at high values.

• tint - in general, runs from greens at low values to purples at high values.

Controls the amount of exposure data available on top of the baseline exposure.

The .exr format allows the image’s lower left corner to start at any position, including negative x axis values. Nuke does not support this type of format, but compensates by offsetting the image or reducing the format size on both sides:

• enabled - the image is offset so that the .exr image’s left side start at x=0.

• disabled - the format is reduced on both sides by the negative x amount, as if that area was overscan.

When enabled, metadata keys are read as they are, without attaching a prefix to them.

When disabled, the prefix exr is attached to metadata keys to make them distinct from other metadata in the tree.

Sets the way Y’CbCr is converted to RGB. Rec 601 and Rec 709 follow the ITU.BC specifications.

Sets the minimum and maximum color range values for decoded DNxHD files. If your source file was encoded with a reduced range (0-240 for 8-bit or 0-960 for 10-bit), set source range to Video Range to decode the full range (0-255 for 8-bit or 0-1023 for 10-bit).

When enabled, only the first view present in the file is displayed, regardless of how many views the file contains.

When disabled, and there is more than one view set up in the project settings, you can switch between views using the buttons above the Viewer.

When enabled, the metadata accompanying the file is saved without the quicktime prefix.

Note:  QuickTime container-specific metadata always carries the prefix.

When disabled, all metadata is prefixed with quicktime for easy identification.

When enabled, Nuke attempts to clean up meta keys into the standard Nuke metadata format.

When disabled, the metadata is passed down the Node Graph unchanged.

Sets the image pipeline to use in the Read node, IPP2, IPP2 Custom, or legacy. The selected Image Pipeline defines which controls are available in the Properties panel and is initially set by the file's metadata.

See IPP2 Controls and Legacy Controls.

Click to reload control values from the .rmd file metadata.

Displays the GPU used for rendering when Use GPU if available is enabled. Local GPU displays Not available when:

• Use CPU is selected as the default blink device in the Preferences.

• no suitable GPU was found on your system.

• it was not possible to create a context for processing on the selected GPU, such as when there is not enough free memory available on the GPU.

You can select a different GPU, if available, by navigating to the Preferences and selecting an alternative from the default blink device dropdown.

Note:   Selecting a different GPU requires you to restart Nuke before the change takes effect.

When enabled, rendering occurs on the Local GPU specified, if available, rather than the CPU.

Note:  Enabling this option with no local GPU allows the script to run on the GPU whenever the script is opened on a machine that does have a GPU available.
You should also select this if you wish to render from the command line with the --gpu option.

See Nuke 15 Release Notes for more information on the GPUs Nuke supports.

Decoding

Sets the output resolution decoded from the source file. High quality takes longer to decode.

When Decode Resolution is set to rocket custom, sets the resolution values if you're using a Red Rocket card for decoding. The default values are equal to the source image.

When enabled, an installed Red Rocket card is used for decoding if available.

HDRx

Sets how the high and low exposure tracks are blended for HDR clips:

• A frame - only displays the normally exposed track with standard motion blur.

• X frame - only displays the under exposed, sharper reference track.

• simple blend - enables the Blend Bias control allowing you to blend of high and low exposure according to the bias.

• magic motion - a more sophisticated automatic blend mode with a sharper image and more natural motion blur.

When HDR Mode is set to simple blend, controls the bias between low and standard exposure values, where -1 is fully the X frame and +1 is fully the A frame.

Demosaic

Controls the amount of noise reduction applied to the image if Chroma Noise Reduction is disabled.

When enabled, applies chroma noise reduction instead of the standard .r3d Denoise.

Note:  Chroma Noise Reduction is only available with Decode Resolution set to full high or half high.

Primary

This control is display only for the IPP2 Image Pipeline.

This control is display only for the IPP2 Image Pipeline.

Sets the overall sensitivity of pixels from the raw image.

Increases or decreases the overall exposure. This control is identical to FLUT Control in the legacy Image Pipeline.

Controls the relative RGB coolness and warmth. Higher values increase the warmth.

Adjusts the level of yellow and green tints. This control can help in environments where the ambient light source contains high levels of yellow and green, such as fluorescent lights.

Grading

Specifies the path to a LUT file.

When enabled, the LUT file specified in the 3D LUT field is applied to the image.

Specifies the path to an ASC CDL file.

Specifies which color correction should be applied from CDL files containing more than one correction.

When enabled, the CDL file specified in the CDL field is applied to the image.

Adjusts the Slope, Offset, Power, and Saturation manually.

If you have applied a CDL to the image, these values are set from the selected CC ID.

Increases or decreases the overall contrast.

Note:  Contrast is disabled when Gamma Curve is set to Half Float Linear.

Controls whether or not creative color decisions are applied on export:

• primary raw development - all Grading settings are ignored on export.

• full graded IPP2 mode - all Grading settings are applied on export.

Legacy Controls

Look

Sets the color version used by the decoder.

Sets the colorspace used to convert from raw data into the Viewer colorspace.

Note:  Colorspaces listed in brackets are deprecated in the current R3D SDK and may be removed in subsequent releases.

Sets the gamma curve applied to the raw image data from the .r3d file.

Note:  Gamma Curves listed in brackets are deprecated in the current R3D SDK and may be removed in subsequent releases.

When enabled, reduces the red grain that can affect midtones, darks, and shadows using DRAGON Enhanced Blacks.

Note:  D.E.B. is only available for clips shot with a DRAGON sensor, or later, with Decode Resolution set to full high or half high.

Controls the relative RGB coolness and warmth. Higher values increase the warmth.

Adjusts the level of yellow and green tints. This control can help in environments where the ambient light source contains high levels of yellow and green, such as fluorescent lights.

Sets the overall sensitivity of pixels from the raw image.

Allows you to adjust the ISO value without clipping highlights or crushing shadows.

Note:  FLUT Control is only available with Color Version v2 or higher.

Sets the image black point.

Note:  Shadow is only available with Color Version v2 or higher. Setting Gamma Curve to Half Float Linear disables Shadow.

Dynamic Range Extension (DRX) can be adjusted to recover clipped highlights.

Note:  DRX is disabled for clips shot with a DRAGON sensor.

Increases or decreases the overall saturation, contrast, and brightness of the image.

Note:  Saturation, Contrast, and Brightness are disabled when Gamma Curve is set to Half Float Linear.

Increases or decreases the overall exposure.

Increases or decreases the gain for the red, green, and blue channels.

Note:  RGB gain is disabled when Gamma Curve is set to Half Float Linear.

Sharpens the image to compensate for the OLPF low pass filter.

Note:  Sharpness is only applicable when Decode Resolution is set to full high or half high.

Controls the amount of noise reduction applied to the image.

Sets the amount of detail extracted from the image, separate from the Sharpness control.

Note:  Denoise and Detail are only applicable when Decode Resolution is set to full high.

Lift/Gamma/Gain

Adjusts the overall black level (dark tones and shadows).

Adjusts the overall mid tones.

Adjusts the overall highlights.